Haori-san Gets a Second PV and Theme Songs

Key visual for Haori-san Gets a Second PV and Theme Songs

On June 24, 2026, Pony Canyon expanded the rollout for Haori-san with a second trailer, a new cast reveal, and theme-song details for the TV anime adaptation. The series is based on Hikaru Hekiru's manga in Morning Two, and the latest update makes one thing clear: the show is moving into the final stretch before its July premiere in Japan.

The newly published trailer previews the tone of the series more fully than the first announcement did. Pony Canyon also uses the news posts to frame the show as a romantic comedy built around a former hero and a former demon king, which is a useful reminder that this is not a straight fantasy battle title. The marketing mix now includes the core cast, the music, the broadcast window, and the immediate streaming plan.

One practical detail also stands out: Pony Canyon published two separate but connected official posts, and they read like pieces of the same rollout. The first covers the trailer, cast, and opening theme. The second follows up on the ending theme and its release date. That makes the announcement easy to verify and easy to quote, which is especially valuable when a series is close to debuting.

What Was Announced

The headline addition is Maaya Uchida, who joins the cast as the mysterious girl Tsumugina Meru. In the trailer, Meru appears at the end and is described in the official Japanese copy as a key character for the story. That same trailer also previews both theme songs, which lets viewers hear how the show is being positioned musically before the first episode airs.

Pony Canyon's first article says the opening theme will be Oishi Masayoshi's High Maintenance Girl, while the ending theme will be Maaya Uchida's Berry Good Encounter. The follow-up article on Uchida's song adds that Berry Good Encounter is scheduled to stream on July 12, 2026. Taken together, the two posts tie the show's character promotion directly to its music campaign.

The trailer also matters because it is the first real chance for viewers to see how the show's fantasy setup and romantic-comedy tone fit together in motion. A second PV is not just a recap: it is the point where pacing, character chemistry, and soundtrack direction start to look like a finished package rather than a collection of isolated announcements.

Why It Matters

A second PV is usually a sign that an anime's public-facing package is mostly in place. Viewers now know the show's tone, the next important character, the opening and ending themes, and the start of broadcast. That gives the audience a firmer sense of what kind of adaptation this will be before episode one arrives.

The more interesting marketing detail is Uchida's double role. She is both part of the cast and the ending-theme artist, which links the story and the soundtrack in a way anime campaigns often try to do, but do not always manage this cleanly. From a fan's point of view, that makes the ending theme feel like part of the narrative rollout rather than a separate add-on.

The timing also matters. Pony Canyon is publishing these updates right after a June 24 live stream, so the trailer and the song reveal are arriving as a single coordinated package. That is helpful for international readers because it means the names, dates, and music credits are all coming from the same official source family instead of being scattered across reposts. It also creates a cleaner archive trail for future readers who want to check exactly when the show shifted from teaser mode to launch mode.

Context for International Fans

The anime is scheduled to air on ABC TV and the TV Asahi network's ANiMAZiNG!!! block, with BS Nippon TV and AT-X also listed in the official distribution plan. Pony Canyon says d Anime Store and ABEMA will begin streaming immediately after broadcast, which is the kind of detail overseas viewers often need if they want to follow the show legally and without waiting for unofficial summaries.

The source material being a manga from Kodansha's Morning Two also matters. It means this is an adaptation with a pre-existing readership, not an original anime that has to introduce every element from scratch. The second PV and the newly disclosed theme songs are doing the work of translating that manga identity into an anime identity that can travel beyond Japan.

For viewers outside Japan, the practical takeaway is simple: the broadcast date is set, the music is set, and the streaming path is already visible. That makes this the kind of update that is useful both as a news item and as a signpost for when to watch for clips, subtitles, and social chatter around the premiere. The official posts are also specific enough to avoid the usual ambiguity around late-night broadcast slots, which is useful when fans are comparing Japanese schedules with local time zones.

What Happens Next

The next hard date is Saturday, July 11, 2026, when the TV broadcast begins in Japan. After that, July 12, 2026 is the key music date tied to Berry Good Encounter. If Pony Canyon continues the same cadence, further cast notes, clips, or visuals should appear through the official site and related news posts as the premiere gets closer.

For now, the most useful way to read the rollout is as a complete pre-premiere snapshot: one trailer, one new cast reveal, one opening song, one ending song, and one confirmed broadcast window. That is enough to tell international fans whether the show belongs on their watch list before the first episode drops.

Sources

Information was checked on 2026-06-25 08:19 JST.

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